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Review: Frida's Cook by Florencia Etcheves


Blurb from Goodreads:
This colorful, emotive historical debut whisks us to the home of Frida Kahlo, where food, art, and love weave together an unforgettable story of friendship and loyalty, with a bright Coyoacán as a vivid background.

A hidden painting. A buried past. A legacy waiting to be uncovered.

Mexico City, 1939: Young and determined Nayeli Cruz flees from her Oaxaca home to arrive in Mexico City with neither friends nor prospects. Alone and armed only with her sharp wit and extraordinary talent in the kitchen, she finds herself in front of La Caza Azul, the home of Frida Kahlo. As she begins work as the artist’s cook, Nayeli is pulled into Frida’s world of pain, passion, and defiance. But it isn’t long before amid the vibrant tapestry of flavors, scents, and colors, the two women form a deep bond—one that will shape the course of Nayeli’s life and leave behind a secret buried in art.

Buenos Aires, Present Paloma, Nayeli’s granddaughter, stumbles upon a mysterious painting depicting her grandmother as a young woman. The artist’s identity is unknown, but the artwork’s existence threatens to unravel long-held family secrets. As Paloma delves into her grandmother’s past, she uncovers a tale of passion, betrayal, and resilience that challenges everything she thought she knew about the one woman who raised her.

A lyrical and timeless portrait of the human side of one of the world’s most famous painters, Frida’s Cook celebrates the power of female friendship, art, and love.
 
This was only slightly less interesting when I found out it wasn't based on a real person but the descriptions of Frida Kahlo and her home were fascinating.  The author painted such vidid pictures and told two timelines seamlessly.  Give this a try!

Frida's Cook comes out next week on March 10, 2026 and you can purchase HERE.  
Frida opened her front door. It was unlocked, as usual; she simply couldn't imagine anyone having the nerve to enter a sanctuary without permission, and Casa Azul was her sanctuary.
She crossed Calle Londres diagonally, toward Allende, without looking both ways, seemingly unconcerned about an oncoming car or bus. She wasn't what you would call a cautious woman. Her talent lay in dealing with the consequences.

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